I make work that asks questions about the value of value. To ask these questions I make paintings. Those paintings are put through different methods to analyze their value including multiples, microscopy, digitization, performance, and erasure.
My visual vocabulary uses grids and color. The grid is a reliable and stable form. I test that form in order to assess its value. The color palette is intuitive but takes cues from high and low culture. Pop music or drunk tank pink, colluding and colliding with cave born ochers and siennas.